Archive for September, 2005

The club night stops and I took off

Went out on a society-organised tour of the ‘Leeds Scene’ last night. It’s a quick tour: there’s not much scene to see. It was fun all the same because there was a huge group of people in attendance and some people I’d never seen before despite their claims not to be freshers. I don’t believe a word of it.
The end of the tour was a club called Mission, a venue that spreads under five or six railway arches to create separate rooms and moods. It was, of course, completely packed and though I’d been freezing earlier on in the evening, after a couple of minutes in their I was thoroughly warmed up. Dancing in a railway arch, without much air conditioning (considering the number of people packed in) creates quite some heat. There were sweat issues, and serious potential for dehydration. When I asked for a glass of water at the bar the barman indicated that they only served them in little 75 cl (or so) glasses. I was going to get a glass, down it, and then return to the floor. Apparently not. So I asked for four, waited while he messed around and then downed those and left. Stupid policy of serving water in such a pathetic way.
I was honestly surprised by how quickly people paired off after only meeting a couple hours previously. I wouldn’t have thought myself a prude but, huh, I wasn’t getting any action from there. Happily, just as I was getting pissed off with some freak who was kind of stalking me around the dancefloor, meaning I had to move between rooms far more frequently than I’d have preferred, my favorite song of the moment came on. There was, of course, noone to dance with because they’d all paired off or were scared that I was going to jump them if they just danced, but by that point I didn’t care. You know when you get a song stuck in your head and it just won’t go away? Well this was that and this was the perfect conclusion to the night. I lost myself in the moment and then danced away as though there was someone there to dance with, and then when it stopped, made a dash for it.
Making a run wouldn’t have been such a bad idea had it not been raining down like never before. That always seems to happen when I’m clubbing. My problem is that, being a student, I hate taxis and under normal conditions never take them. It took me about thirty five minutes to get home and by then I was soaked. But it’s great time for evaluating the night. And when you get home you really appreciate the warmth.
But you miss not having anyone next to you at the end of the night. That bit, it’s kind of sad.

I’ve been waiting patiently for him to come and get it
I wonder if he knows that he can say it and I’m with it
I knew I had my mind made up from the very beginning
Catch this opportunity so you and me could feel it ‘cos

If you’re ready for me boy
You’d better push the button and let me know
Before I get the wrong idea and go
You’re gonna miss the freak that I control

Back online and back in touch

I’ve been rather out of the loop of updating and keeping this place alive because I haven’t been online as such. I’ve had access to the internet but by not having access via my normal computer I haven’t been able to do my normal stuff. I could usually upload photos onto Flickr or check emails via my email client and then, gasp, keep them with me. Because we haven’t had the internet connected all of this kind of thing has been shoved back. I’ve been doing a lot of reading of newspapers.
I came back to Leeds just two weeks ago and it’s funny but you don’t notice how much media hopping one does until you lose it. We have a TV but we don’t have digital, so we don’t get the 24 hour news channels I’ve grown accustomed to, nor the ‘real’ cultural programs as broadcast on BBC 4, nor the flesh-fest that is music television at the moment.
I brought my hi-fi system but neglected a tiny little cable that plugs in the back of it: the aerial. I had an AM cable which is great because it means I can get the nightly 1AM-onwards news magazine that I listen to on the BBC, but couldn’t get music or the fantastic speech station that is BBC Radio 4. We don’t have a radio in our kitchen yet so despite doing a lot of cooking, I’m still not feeling fully up to date. The newspapers I’m reading are always telling me of yesterday’s news.
I could normally supplement my media hopping by going online. When our TV at home goes haywire, you can be sure of getting most of the news that you’d see there online via the BBC’s Broadband News service, as well as news that you don’t normally get in the same way on the NYTimes website, like the story of the first ever entirely computer designed aircraft.
Without the internet, which is supposed to be installed this afternoon, I’ve been lost. I’ve been reading several newspapers each day because I don’t trust getting my news from one source, even reading papers that I’d have never touched before because I thought them boring or just too trivial (buying the Times, and reading the Leeds Student…). I’ve been doing a lot more work on/for my course, and getting involved in other things like the refugee action group meeting I was at last night. It beats a booze-up with the LGBT society. Perhaps it’s a good thing to be cut off every so often as it really focuses you on what you need. I find that I can easily get by without the internet, but I’d hate to attempt to write a term paper, research an article or share photos with friends without my regular access. Apple Powerbooks are light and nifty little things but they’re still a drag when carrying in a satchel for half an hour each way to and from work. I envisage most people carting them around in the back of the car or in a briefcase, rather than in competition with the daily haul of books I get from the library.

Anyway, the general message is this: I’ll be back online soon.

Who will they use for publicity now? Naomi Campbell?

After much hoo-ha and debate over the future of the new H&M advertising campaign, the company have pulled their spots. The problem comes after the Daily Mirror published photographs of Moss apparently taking cocaine with her boyfriend Pete Doherty.
Having earlier altercations with the Daily Mirror over drug use, the paper had been said to be on a mission to prove Moss’s guilt. The publication of the photos has drawn worldwide derision from radio phone-in programs as well as newspaper letters from the public.

At the same time as many of feigning shock and awe, I don’t really care. Kate Moss takes drugs… so what?! She’s a mother… so what?! When so much of the world is exposed in one way or another to the world of drugs, should we really be all that appalled when one of our highest profile faces slips up and shows her humanity. No longer a department store mannequin, Moss is a human being with flaws. Does that mean that she’s any less appealing to look at? I’m never going to look like her and the vast majority of girls will never come near her beauty because it’s a freakish kind. All models look just a little bit weird and that isn’t quite so palatable on the high street in middle England or middle America or middle Anywhere. Models occupy their own private space in the world, drinking champagne, walking up and down a brightly lit pathway and then doing drugs and sleeping for 12 hours at a time, all the while doing as little exercise as possible to ensure they don’t develop any ‘chunky’ muscles. Except the boys that is, they have to do ab-crunches until midnight every day. A male model without a six-pack stomach: unheard of!

Kate Moss is flawed. We know. Move on.

H&M drops Moss over drug claims

Desperation for customers leads to $50bn bad debt

The incentive to sign up new customers is great in Europe but in the US it’s even more pronounced because banks send out 1,937 pieces of marketing information for every new sign-up.

US banks lose $50bn to phantom fraudsters

I’m BAAAACK!

Run scared because really, I’m back and similar to before but now with added caffeine and Zuper Energi! Refreshed, tired at the same time, but full of more enthusiasm for this whole living thing that we’re doing, I’m pleased to have returned. I really loved going on such a quick vacation, but oddly, have never enjoyed being home quite so much. It’s so great to be home. Sometimes you love it and sometimes you hate it, but family is always a great thing to return to.

Of course though, it’s raining when our flight returns to the UK, despite the perfect weather in Venice over the last few days. Some stereotypes just ring too true to be fun… Britain, get some sun!

I’m away

To Venice I go. Until then… ciao.

How a paper is made: The Guardian’s redesigned

Popped in for a chat with the Readers’ editor, Ian Mayes, to check on reactions to the redesign so far. You can just see the City office in conclave beyond the blinded windows. All opinions are of course based on the preview edition. They are mostly warmly in favour apart from some beefs about losing regular columns such as Smallweed.

The two major reservations are the dropping of Life in favour of a daily Science page in the main paper and especially the loss of the David Hillman masthead on the front. It’s like losing a “classic icon” said one.

Ian himself has no doubt. He thinks it would have been disastrous not to have got a new masthead however good the old one. It would have been like doing the long jump and hesitating at the launch pad, he said. Ian recalled a similar situation with the last redesign in 1988 when the editor, Peter Preston ruled that if you are going to have to do a root and branch redesign, then that’s what you have to do.

The Editors’ Weblog

Blue flashing lights come to his aid

I tend to walk home after I go out clubbing, mainly because it is cheap and I am cheaper. Students have no money and also no qualms over not splashing out on silly things like Taxis and expensive bars and clubs. I like walking because it’s slow, and it freshens your mind after a night out. People seem to love jumping into a smelly, dangerous taxi, driven by men who in their case have no qualms over breaking the speed limits by multiples of ten miles an hour. It’s scary to sit in a taxi at 3AM, hurtling down an ‘A’ road at 70 miles an hour, just only dodging the neighbouring car. I don’t like it, I have little spare cash, and I like walking, so I walk.
The benefit of walking being slow is that you see things. When I’m looking for things to take photos of I always like walking because you notice details of the world around you that others may not have done, and so I think you get a richer experience from going to the places you go.
On Friday night I went out to celebrate/mourn the promotion and so departure of a friend from this city and the store that he worked within. He’s moving up to more northerly lands, soon to be greeted by girls with increasingly smaller clothes as the days get colder. I’m following him, but to another city even further north.

As I walk home I’m aware of not becoming another crime statistic, as one friend was warned off after being stopped when walking home one night by the police. With the withdrawal from the thumpa-thumpa music and the shouts of dancers you become acutely aware of all noises around. A twig snaps behind me and I notice, a taxi flies past and I notice not it but the air rushing around it, dancing dust and leaves left in its wake. As I walked on Friday night which was really early Saturday morning, I saw a man lying prostrate under a tree, lying on short grass on his back about two yards from the street. It was dark and the continual stream of twenty taxis and then one police car did not spot him there. I was walking alone so, to be honest, I didn’t want to spot him there.
My first thought was to approach him and see if he was well, to see if he was alive because I didn’t see movement. My second thought was, ‘I’m alone’. Personal safety is a poor excuse, but I didn’t approach him. I called the police. Not emergency, but the standard police enquiries number.
I asked them what to do and they asked me whether I’d seen movement. They were hoping this would be as simple as I was. I wanted him to be a drunkard who’d stumbled home in the middle of the night and just crashed under a tree. With the words of Paul ringing in my head from his staggering-home-drunk warning, I thought, ‘Is he a crime statistic?’

Just at that moment his arm moved so I tell them this and I tell them that I haven’t approached him yet because I’m on my own. They tell me, to my great relief, not to approach him that they will send an ambulance. They take my contact details and quickly hang up. I wanted them to stay on the line because I had questions:
‘REALLY?! Don’t approach him?’
‘Do I stay or do I go?’
‘What if he’s dead?’
‘Did I do the right thing?’

I didn’t get to ask them questions because they were on to the next patient and I was just their last call, a voice in the night down the end of a phone. I was there for answers, not for questions. For this and reasons I don’t really know, I walked on. I figured I couldn’t actually tell them anything more without approaching the man. I don’t know what I was fearing but I was perhaps fearing that I’d have to get involved, that it’d get messy, that it wouldn’t be over and done and simple. So I walked on, and before I lost line of sight with the location I saw an ambulance and police car pull up to where I’d directed them. I couldn’t see the little figures in fluorescent jumpsuits walking around, but they were no doubt there.

The next day I was praying for a phone call, for a knock on the door or a letter through the mailbox. Nothing came.

I hope the man is alright. I hope he’s alive.

The White Cube just loves your voice

The home of commercial British Modern Art is screening videos of people singing. This isn’t a new and more expensive version of MTV, but a piece of work by artist Candice Breitz who often uses video installations in her work to analyse social trends and the peculiarities of modern life.

candice breitz


Upstairs at White Cube, Breitz will present a brand new thirty-channel video installation entitled Queen (A Portrait of Madonna) . The third in a series of intended ‘portraits’ of the music that forms the soundtrack of her generation, here Breitz explores the influence of pop phenomenon Madonna.

Individually filming thirty hardcore yet eclectic Italian Madonna fans (gathered via advertisements in newspapers and fan websites) singing their way through the greatest hits album Immaculate Collection , she assembles their heartfelt performances - shot in screen-test mode - into a choral grid in which moments of incidental harmony emerge from the general cacophony. A counterpart installation King (A Portrait of Michael Jackson) is being shown concurrently at Sonnabend Gallery in New York. This portrait series began with Legend (A Portrait of Bob Marley )

White Cube Gallery, London
Candice Breitz exhibition page at the White Cube

Toycamera Auction to benefit the Victims of Hurricane Katrina

Susan Burnstine, one of my most inspirational and admired photographers over on Flickr, has linked to the Toycamera auction that includes copies of her work. A great way to help people and get a copy of some work that normally isn’t even for sale. I want to make one of these cameras, but just as much, I want to own some of their work. Everyone else should too; it’s amazing stuff full of emotion and strength and the money goes to a great cause.
The image shown right is by Leon Taylor and is called Boat.

Toycamera Auction benefiting victims of Hurricane Katrina